Answer the following questions. Be sure to address all parts of each question and make direct reference to the texts above. No outside sources.
Question 1: Steyerl argues against simply exposing the uncertainty built into historical documents or images. How do you understand her proposal for what a documentary film can do instead?
Question 2: Identify and describe a moment in November where you think Steyerl tries to replace the affects that she sees as “connected to uncertainty – namely stress, exposure, threat and a general sense of loss and confusion” with other affects, as she proposes in the conclusion of her essay. How does she replace these affects or feelings with something else in the moment you have selected to analyse? Offer a close reading of the scene you’ve selected and explain how you think it relates to Steyerl’s proposal.
Question 3: Matzen argues November asks us to consider how “gestures transgress the porous boundaries between the fictional and the factual.” Identify and describe an example of a gesture in the film that supports this claim. (Be sure to explain where the gesture came from and how it moves across the boundary between fact and fiction.)
Question 4: How does Steyerl’s appearance in November address the “dilemma between the self-reflexivity of the commentary and the images’ power to ‘speak for themselves’” according to Matzen?
November (Hito Steyerl, 2004)Hito Steyerl, November, 2004 it can be found on Vimeo
Hito Steyerl “Documentary Uncertainty”: Documentary uncertainty – Re-visiones (re-visiones.net)
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