PRIMARY TEXTS AND FILMS (required):
A MIDSUMMER NIGHT’S DREAM (FOR ALL THE PLAYS YOU SHOULD USE THE ARDEN EDITION)
A MIDSUMMER NIGHT’S SEX COMEDY (WOODY ALLEN FILM: THIS CAN BE PURCHASED AS A DVD OR BLU-RAY FROM, FOR EXAMPLE, AMAZON. IT IS NOT ABSOLUTELY REQUIRED, BUT MY PROF’S NOTES DISCUSS IT, AND IT IS THEREFORE VERY STRONGLY RECOMMENDED.)
MUCH ADO ABOUT NOTHING
VLADIMIR NABOKOV’S “THAT IN ALEPPO ONCE” (FIND ONLINE.)
HAMLET (FILM WITH DAVID TENNANT AND PATRICK STEWART.)
TROILUS AND CRESSIDA
RENÉ GIRARD’S SHAKESPEARE: A THEATER OF ENVY
SECONDARY READINGS AND FILMS/PERFORMANCES
YOU SHOULD TRY TO VIEW AT LEAST ONE FILM/PERFORMANCE OF ALL THE PLAYS, PICKING WHATEVER VERSION SUITS YOU BEST OR TAKES YOUR FANCY. (ONE STRATEGY FOR YOUR ESSAYS MIGHT BE TO COMPARE AND CONTRAST TWO DIFFERENT PERFORMANCES, MAKING A JUDGMENT OF WHICH IS IN YOUR VIEW MOST ADEQUATE AND WHY.) ONLY DAVID TENNANT’S HAMLET IS REQUIRED.
YOU SHOULD ALSO READ AS MUCH OF THE ARDEN INTRODUCTION TO EACH PLAY AS YOU CAN – CONCENTRATING ON THINGS THAT INTEREST YOU – ESPECIALLY, OF COURSE, THOSE ON WHICH YOU DECIDE TO WRITE YOU ESSAYS. ASIDE FROM THE REQUIRED GIRARD CHAPTERS ON EACH PLAY, YOU WILL FIND THAT THESE INTRODUCTIONS INDICATE SOMETHING OF HOW EACH PLAY HAS BEEN INTERPRETED AND PERFORMED IN THE RECENT AND DISTANT PAST. I ALSO ENCOURAGE YOU TO DO YOUR OWN CRITICAL RESEARCH ON PLAYS ON WHICH YOU CHOOSE TO WRITE YOUR ESSAYS, SO THAT, AMONG OTHER THINGS, YOU CAN SITUATE GIRARD’S SOMETIMES CONTROVERSIAL INTERPRETATIONS IN CONTEXT.
on a topic of your choice, approved by me on email, that entails detailed analysis of one or more of our texts and themes. This should be around 1200 words, and it is due on Friday of the final (tenth) week of classes(03/12/2021).
You should email me suggesting your topic at least ten days before the essay is due (03/02/2021)
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